carlos brought home baklava from church and im going to cry into honeyed pastries for the rest of the evening while i think about how much i dont want to go to this conference tomorrow

17 hours ago | 1

i have to wake up at 6 am tomorrow and bus into the city and then spend all day at a conference. tbh thinking about it makes me want to cry

17 hours ago | 1

runzi333:

kkobun:

karpetsharks-art:

sometimes if i’m having trouble drawing certain head/body shapes of animals i practice by drawing over photos of them…..

i never share them though because i think it’s kind of silly….

I should so try that

Wow thats a really cool trick!

trollzin:

hi-im-becca:

somerandombandchick:

The Moth Pit

Omfg

so thats what moths are doing

17 hours ago |  via |  source | 12526

the-treble:

bonusvampirus:

*makes heterophobic text post*

It’s a metaphor, see? You make a mean text post, but you don’t back it with thousands of years of violently-upheld institutional power, so it doesn’t have the power to actually hurt anyone. 

best one yet

18 hours ago |  via |  source | 12297

makeupbox:

How to use Duos, Trios, Quads, Quintets???! (A few basic shapes that work with all eye shapes)

The first thing I always tell people when it comes to eye shadow application is - find your socket line. And learn to separate that from your crease. 

image

There is a myth about applying shadows “on/within your crease”. Well that’s fine if you have very defined, even, thick lid folds. But if you have hooded eyes, mono-lids, or smaller lids where the crease is either not visible or not high enough, many eye-shadow looks can be very unflattering or they simply disappear when you open your eyes. 

What to do? Simply replace the word “crease” with “socket line” from today on. If you have mono-lids and hooded lids, it’s important to blend your shadows UP TO your socket line at least. That not only defines your natural contours but also widens the eye. 

  1. Your socket line is where your eyeball dips into your orbital bone. Close your eyes and feel for it.
  2. Flattering eyeshadow looks are all about "creating shadow and light" in the right places. Even if your eye contours aren’t very defined naturally, placing a bit of deeper color along your socket line and a pale shade in the center of your lid will create the illusion of more pronounced contours without making you look too dramatic.
  3. I DON’T recommend creating a fake socket line higher or lower than your natural one. It can go very very wrong unless you’re an absolute pro.
  4. Many times we use brushes that are way too big or fluffy. If you have small lids or eyes, a smaller, round-ferrule pencil brush like the one from 13rushes can make life a lot easier. Go for the flatter, wider brushes if you have a bigger lid space to work with. 

Now that we’ve got that covered, you can get back to the question of “what the heck do I do with this palette that has 2-3-4-5 shades?!” and look at the images above as a reference for where colors go.

Don’t be restricted by the image with the 4 shadow palettes and the labels on each of the shades. It’s there as a reference but the best thing is to look at the eye charts, because you can use any 2 shades in a quad or a 5-color palette as a duo using a DUO diagram.

Steps don’t include liner (optional) and mascara, so you just add them later.

THESE ARE NOT RULES. They’re just basic guidelines for those who aren’t too familiar with eye makeup yet. 

Lastly, when looking for eyeshadow palettes, here are some beginners’ tips:

  1. My palette has one cream/liner/glitter shade! Well, take those out of the equation and see how many regular shadows are left. If there are 3, shadows left, follow the TRIO diagram. If there are 2, follow the DUO diagrams. 
  2. Erm, so what do I do with base/liner/glitter shades? Apply the base all over from lash line to socket bone before you begin (you don’t need to go all the way to your brows unless you want a dramatic look). For glitter shades, you can apply them as a wash all over when you’re done with the rest of your eyeshadows, or down the center of the eye for a “wet look” when you blink. Liner shades are self explanatory!
  3. DUOS: look for those where 1 shade is the same lightness or lighter than your skin color, and 1 shade is darker/smokier. Doesn’t matter if they are metallic, shimmery, matte, sparkly. For most basic daily makeup looks, you just need a light and dark to define your eyes. 
  4. All palettes: make sure there is a "balance of light to dark shades". This means at least 1 softer shade and at least 1 dark shade that is deep enough to act as a definer shade. (There are a lot of palettes where all 3-4 shades are pretty shimmery pastels. Well, sorry but they’ll look nicer on your vanity table than on your face. You need a darker shade there for definition and contouring in order for the palette to look flattering. 
  5. QUADS: What do you do if there are 2 pale shades? Which should you apply on your brow bone, and which as an accent in the center of your eye? The less shimmery/sparkly one on the brow bone, and the more dramatic and reflective one on the center of the eye. If they’re about the same texture, then it doesn’t matter which you use where.
  6. 5-6 SHADE PALETTES: Many people find them overwhelming, but you really don’t need to wear all the colors everyday. You can pick 2-3 shades and wear them as a duo or trio (See diagrams) easily. So they actually give you the most options!

Some Idiot-proof Eyeshadow recommendations:

Duos: Laura Mercier eyeshadow duos. Always well coordinated, with 1 soft/matte shade and 1 darker, richer one. Takes the guess-work out of eyeshadow application.

Trios: A lot of drugstore brands like Wet n Wild Color Icon have pre-coordinated trios with the shades marked out as lid, crease, browbone for you. Just remember “crease” = socket line. In the higher end range, Dior’s 3 Couleurs are beautifully coordinated and easy to use and blend.

Quads: Tom Fords and Chanels have some of the easier to use luxe quads in the market, but if you’re going for the Tom Fords, remember to minus out the sparkle shades. (E.g. 01 Golden Mink is what I’d consider a duo, not a quad, because there are 2 sparkle shades out of the 4, and I’d apply the 2 satin shades using one of the DUO diagrams above, and then decide how I want to apply the sparkles.)

**Laneige Pure Radiant eyeshadow quads (S$40) are a fantastic alternative - not dupes cos there are no exact palette matches, but great alternatives - for Tom Fords (S$100) because the satins and glitter textures, as well as a few of the shades, are actually very very similar. If you love the look of TFs but find the prices a little steep in Asia, take a look at the Laneige counter! See for yourself!

image

Quintets: Lancome’s Hypnose palettes are still one of my favorites. They usually have the BEST balance of dark and light shades, and they’re perfectly coordinated with each other, so you can pick any 2-3 shades out of the 5 and go.

**Diors are a good option if you have more mature lids or prefer smoother, more translucent pigments but the 5 couleurs are’t as well-balanced as Lancomes, so unless you’re very experienced and know how to add definition using liner and mascara, I’d pick a few colors and use these palettes as duos and trios rather than a quintet.

If you want to break the rules completely and do it like makeup artists do sometimes, NARS’ duos are pretty much on the opposite spectrum to Laura Mercier.

They do have light vs dark shades too, but there are also tons of funky clashing duos designed for maximum drama on the lids. Stuff like Rated R (lime and blue) and Bysance (yellow and violet) can still be applied using the 2 DUO diagrams above, but the final effect will be VERY bold. Probably better for the club than for school or work.

18 hours ago |  via |  source | 16677
#ffr

imran-suleiman:

Photographer Mattias Klum from National Geographic gets up close and personal with a lioness.

(Source: nudlty)

19 hours ago |  via |  source | 279708

inspirationofelves:

Landscapes by Selenada

19 hours ago |  via |  source | 6227

trillow:

this is an AWFUL sex position. why did i let you talk me into this. where are my arms

19 hours ago |  via |  source | 92963

andythelemon:

I really like the idea of Sirius and Regulus being partly Chinese since JKR never specified the ethnicities of all the Black family members and if you’re going to make excuses about it then I don’t wanna hear.

Anonymous asked:
Why does Chris Evans always grab his left boob when he laughs?

officialchelso:

Hello, anon, and thank you for the question.

This topic has been studied by researchers for years. There are three prevailing theories that I will relay to you now.

1. It keeps him on the ground.

image

You may notice in the gif above that Chris’ leg starts to rise as he laughs, possibly a precursor to his entire body undergoing a sort of lift off due to his joy. Chris then employs his upper body strength to force himself to obey the laws of gravity.

2. To check on his physique.

image

As you may be aware, anon, it takes a lot of hard work to maintain a superhero body. Chris is concerned that in the time he has spent sitting down, sans working out or eating, he has lost muscle mass. Understandably, he feels the need to make sure that he is still a specimen.

3. Object permanence.

image

Object permanence is a term applied to the understanding that an object still exists even when you cannot see it. Chris closes his eyes when he laughs, making him unable to see that he has not disappeared. By grabbing his left boob, Chris knows that he has not somehow ceased to exist.

I hope this helps.

nosecretstoreveal:

it’s amazing how for 13 years of my life I was able to wake up at 6am 5 days a week and now I can’t even manage waking up for a 1pm class twice a week

2 days ago |  via |  source | 57789